My work is rooted in orchestral writing, with a particular focus on string quartets and intimate chamber textures. I also compose full orchestral pieces, blending traditional instrumentation with modern production techniques to create music that feels cinematic and emotionally direct. The sounds are shaped using a wide range of high‑quality orchestral sample libraries, including collections from Spitfire, East West, and other leading creators. These tools allow me to craft detailed string articulations, rich ensemble layers, and expressive solo performances.
These tracks blend my own original compositions with non‑exclusive percussion created through Suno AI. Every human‑made musical element is copyrighted to me; AI‑generated components are used under Suno’s commercial‑use license and are not asserted as exclusive IP. The final mix and master were completed by Suno’s automated engine, which operates beyond my technical skill set. The result is a commercially viable hybrid of human creativity and AI‑driven production.
My future aim is to produce music for TV, film, streaming platforms, trailers, and other media, offering orchestral scoring that supports current production needs.
I also develop conceptual approaches to composition through my Chromotonal Music framework, a colour‑based tonal system designed as an alternative method for organising musical structure. The full theory is documented externally and supported by a playlist of example pieces that demonstrate the system in practice. This work sits alongside my orchestral production, reflecting my interest in new forms of musical design and alternative compositional models.